For the past seven weeks, I have been the bureau photographer for the New York Times in Baghdad. This was my first visit to Iraq, and although I have worked in Afghanistan, Gaza and Yemen, I have found Iraq to be the most difficult place to do my job.
For now, much of the violence seems to have subsided and life is slowly improving. Markets, commercial areas and nightlife are blossoming. Occasional explosions and gunfire briefly shatter the calm, but people maneuver around the roadblocks and continue on their way to work or university.
But fear lingers. Seven years of brutal violence have left their mark here. Iraqis are haunted by bombings, kidnappings, murders and gun battles. They don't trust the government, the media or each other.
It is nearly impossible to photograph the aftermath of a car bomb or street battle. In most cases, the scene is blocked by police, and cameras are simply not allowed. The government has decided that published photographs of deadly bombings aid the cause of insurgents.
Despite all of this, Iraq has grown on me. My rotation here is at an end and I am sad to leave. Iraq's story remains compelling and most Iraqis are warm and hospitable. Iraqis have witnessed unimaginable horrors, but they keep going.
(Photos: An Iraqi National Army soldier guards a neighborhood in Mosul, Iraq; a death announcement hangs outside the bombed former home of poet, painter, translator and novelist Jabra Ibrahim Jabra in Baghdad; a sandstorm colors Baghdad's blast walls yellow.)
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